The Three Elements of Practice Part II

Reinforcement

Last time we discussed repetition, the act of playing the same passage over and over in a short time-span. In this article, we will discuss the second element in successful practice.

As we learned in part 1, repetition is effective for a limited time; after this short period, continuing to repeat can waste time as well as lead to daydreaming and joint pain. Furthermore, we can only learn so much in one session, no matter how long we do our drills. How can we imprint the skills we want to have so they are consistent and available to us? Through what I call reinforcement, or the process of forgetting and re-learning.

The filter

If we strongly imprinted every trivial thing in our experiences, we would be overwhelmed with information; memorizing every detail of our day would not help us. One way our brain can determine if something should be placed in long-term memory is if it happens consistently over a long period of time; songs that get played over and over on the radio get memorized, whether we like it or not. This is the whole idea of “image” advertising; enough impressions, and we know the brand, even if we have never used it. Our strategy of reinforcement uses this to imprint the things we choose into our memory.

Two types of memory

Learning theory holds that there is declarative knowledge, or facts, names and figures, and procedural knowledge, such as walking, talking and playing an instrument. A law student would primarily deal with declarative knowledge, such as case law, while a gymnast would obviously need mostly physical, or procedural skill. It appears that procedural skills need more cycles of forgetting and reinforcing than book-knowledge, and that actual changes in brain structure have been noted in individuals learning these physical skills. This is why it takes time.

A worn-out but accurate analogy

Imagine we have a house plant that needs a cup of water a day, but in order to simplify, we just pour all seven cups on it on Sunday, and save the time of the daily waterings. Two things happen: The excess water overflows and goes to waste, and over the week, the plant dries out and dies, or at least doesn’t grow.

The water is your time, and the plant is your skill.

As we well know, there is only so much water the plant can accept per day. Likewise, there is only so much information your brain can accept per practice day. Beyond these limits, your playing will not improve, and may even degrade due to over-repetition. In order to make progress, we balance repetition and reinforcement.

Imprinting the skills

1. Reinforcement only works if we have given our mind sufficient time to absorb and digest the things we practice. The typical interval is overnight; if we come back to the passage too soon, it will not have completely gone out of our “temporary buffer.” On the other hand, if we wait too long, it will have faded away and we will have to start over.

2. We need a checklist of passages to be reviewed in order to keep them from fading away. I have three categories of things I am practicing:

a.  New passages that I am just starting, and that need slow, deliberate practice.

b. Parts that I have been playing a while that need to be made stronger.

c. Entire songs, forms and transitions that need to be kept performance-ready.

3. We need to be consistent about revisiting the various things in this queue, lest they be abandoned before they are ready. Worse yet, half-learned passages can become distorted with wrong fingerings or even wrong notes.

4. Keeping track of our improvement can be very rewarding; these successes can encourage us to keep going.

5. No amount of repetition can have the same long-term effect as reinforcement; spaced learning is the key to deeply-embedded skill.

 

Next time, we will examine the third element, evaluation.

Question: What is your system for imprinting and strengthening your skills?


Comments

6 responses to “The Three Elements of Practice Part II”

  1. My system of imprinting and repetition mainly more and more is to choose a particular song or line I want to learn and listen to it very closely several times listening for- Chord changes, melodic lines in the changes, rhythmic feel of overall beat and notes.. Then I play it.

  2. Jay Chavez Avatar
    Jay Chavez

    Tthere are 290 exsamples in Carl’s book… I try to do one every day. Sound like I might be missing reinforcement… How do you cover so much material…?

    1. Hey Jay,

      I have a few suggestions:

      1. That’s a lot of material; you will only be able to digest so much at a time. If you take on too much, you will not gain the benefits… so take your time and determine the pace that works.

      2. It is very important to return to the examples you worked on previously; otherwise they will fade away.

      3. Keep a list of what you have done, and what stage it has reached. For me these stages are: just learning, getting stronger, and comfortable.

      4. Test the strength of your ability to play the examples by applying the 3rd element of practice: evaluation. (the subject of my 3rd installment)

      Good luck, and see you soon!

  3. Reinforcement occurs best for me when I start practicing a piece (or a phrase, fill, rudiment, scale, arpeggio, lick, whatever) with a very relaxed tempo on the metronome. As long as I can play through a piece completely relaxed, I know I can play a little bit faster. So I bump up the metronome a little bit and do it again. It’s the reinforcement of relaxing that is so important, mainly because a musician needs endurance if he ever hopes to make through a gig without tiring). It took me a long time to internalize the fact that in order to play fast for extended periods of time, I had to be completely relaxed, which physiologically seemed counter-intuitive. I still cannot play all that fast for that long compared to a lot of my peers, but the speed and endurance that I have would not have been possible without extended practice with relaxation. And I’m still growing, so there’s hope yet…

    Thanks again, Randy!

    1. Thanks Adrian! Great comment.

      I agree that learning to notice our level of tension is crucial… I know that when I am tense, my muscles cramp and my ideas don’t flow… I also suggest other forms of stress-control such as meditation etc.

  4. […] is just one of three elements we will discuss in this series. In part II, we will discuss the second key to practice, […]

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