Pianist, Composer, Producer
In the previous article, we examined seven-note scales, arguably the most “familiar” sounds in tonal music. Since 7 doesn’t divide evenly into 12, these scales can’t be symmetrical, meaning they don’t repeat an interval sequence. (except at the octave, of course) Today,…
Most elements of art exist somewhere in a continuum between order and chaos. Both of these extremes lead to a feeling of meaninglessness in the work. A completely predictable pattern seems mindless and automatic, and complete randomness seems incomprehensible and without information.
Recently I have been reading up on big band writing, with the intent of composing some new music. What struck me in my studies is the deliberation and reverence for the art found throughout these books. There is something about doing it right. Art can have details, and…
In our last lesson, We discussed the use of major triads superimposed various intervals above a bass note. Adding tones to these triads can make these voicings even richer. One of many ways to enhance these triads is to add the 11th or perfect 4th to the triads. Not to be confused with sus4 chords,…
In a previous video, we discussed learning the various major triads by playing them through the cycles of 4ths and 5ths. In this lesson, we will learn some ways to use these triads to build more complex chords.
Cycle of 4ths Here is a lesson on practicing major triads through the cycle of 4ths. The pattern of chords ascending by perfect 4ths (two whole-steps and one half-step) is fundamental to tonal harmony, and is sometimes called “strong root motion.” Practicing these patterns helps us learn to find these chords in all 12 keys,…