Category: Arranging
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Symmetrical Scales – Geometry in Music
In the previous article, we examined seven-note scales, arguably the most “familiar” sounds in tonal music. Since 7 doesn’t divide evenly into 12, these scales can’t be symmetrical, meaning they don’t repeat an interval sequence. (except at the octave, of course) Today,…
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How Many Scales Are There, Really?
One thing my students often ask about is “scales” and which ones to learn. In an effort to clarify this, here are some permutational ways to look at this question. Keep in mind, I’m not really talking about which ones are…
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The 3 Forces in Art: Part I
I should say, “The three forces that, when in balance, make what I think of as art,” but it is a title, that’s a bit cumbersome. In this series, we will explore these forces, and how we can utilize them to create work that “works.” It does seem odd that many things come in threes:…
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Origami: How “Folding” Makes Melody
Most elements of art exist somewhere in a continuum between order and chaos. Both of these extremes lead to a feeling of meaninglessness in the work. A completely predictable pattern seems mindless and automatic, and complete randomness seems incomprehensible and without information.
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What Ever Happened to Arranging?
Recently I have been reading up on big band writing, with the intent of composing some new music. What struck me in my studies is the deliberation and reverence for the art found throughout these books. There is something about doing it right. Art can have details, and…
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Triads Over Bass Part II: Add 11
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In our last lesson, We discussed the use of major triads superimposed various intervals above a bass note. Adding tones to these triads can make these voicings even richer. One of many ways to enhance these triads is to add the 11th or perfect 4th to the triads. Not to be confused with sus4 chords,…
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Keyboard Harmony: Triads over Bass I
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In a previous video, we discussed learning the various major triads by playing them through the cycles of 4ths and 5ths. In this lesson, we will learn some ways to use these triads to build more complex chords.
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Keyboard Harmony: Triads in Cycles
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Cycle of 4ths Here is a lesson on practicing major triads through the cycle of 4ths. The pattern of chords ascending by perfect 4ths (two whole-steps and one half-step) is fundamental to tonal harmony, and is sometimes called “strong root motion.” Practicing these patterns helps us learn to find these chords in all 12 keys,…
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Excerpts from my upcoming CD “Fromage”
Here are four short excerpts from my upcoming CD “Fromage.” It is comprised of jazz arrangements of songs usually considered too “cheesy” to be considered “standards.” The musicians: Piano/arranger: Randy Hoexter Bass: Jimmy Haslip Drums: Tom Knight/Dave Weckl Guitar: Trey Wright Saxophones, flute, bass clarinet: Sam Skelton Trumpet: Mike Barry Trumpet/Flugelhorn: Gordon Vernick Trombone: Eric…