In The Not-So-Distant Future (la la la)

(In this play, Randy will be crustily portraying the role of Grandpa)

Kids: “Grandpa, tell us again about the days before Auto-Tune!”

Grandpa: “Well, I know it’s hard to imagine, but there were these people called singers who could stand in front of an audience or a microphone and perform a song from beginning to end! ”

Kids: “But didn’t they use a computer to fix wrong notes?”

Grandpa:  “No, they actually sang the whole song correctly!”

Kids: “But that’s not possible!”

Grandpa: “It’s not possible today, but back then singers and musicians would spend years of their lives doing this crazy thing called ‘practicing’ that allowed them to achieve this amazing feat. And lots of them could do it.”

Kid 1: “What’s practicing?

Kid 2: “What’s a musician?”

Grandpa: “Kids, back then, all a computer could really do was math and stuff; They were really expensive and slow. The only way to get music was to play an instrument with your hands! And if you wanted to hear a voice singing, you had to learn to do it yourself.  In those days, the way to learn these things was to do the same thing over and over until you got it right! It took many years until you sounded good enough that anyone would want to hear it. This was called ‘practicing.’ These people literally devoted their lives to it.”

Kids: “Sounds BORING!”

Grandpa: “Today, people get bored in a few seconds unless something cool happens that makes them feel important. And even back then, some people found practicing to be boring, but the ones who really wanted to make music figured out how to enjoy it.”

Kids: “How can you enjoy something that takes a long time and is a lot of work?”

Grandpa: “It’s crazy, because now for $19.95 you can buy a pre-recorded track and tell everybody it’s yours… but back then you had to create it yourself. Then everything changed when somebody used the factory demo track in a keyboard to make a hit record. The track was just supposed to sell the keyboard…Nobody even knows who wrote it. Now people realize it’s much easier to do it that way.”

Kids: “Wow…Glad we didn’t live back then!”

Tools of the Trade

In case you think I am exaggerating, let’s listen to just a few demos of tracks you can buy to make your own record. You don’t need to know anything at all about harmony, chords, technique, feel, time, or tone.

Here, you can get dozens of pop piano parts to paste together into a song.

From the same vendor, Complete with female vocal melisma:

Or this one.

Like Jazz?

Now, I know this is nothing new, and that there are thousands of vendors, but I don’t think it would be all that farfetched to hear this conversation today.

What is the answer?

The only way I know is to try to good, sincere work. Choose to use your own skills to create something original; there are those out there who can tell the difference. Learn your craft and don’t pretend to know things that you don’t.

We all use tools, just don’t let the tools use you. (pun intended)

Questions:

  • How do you feel about pre-packaged musical clip-art?
  • Is it worth it to learn to do it the hard way, or are we just “dinosaurs?”
  • Does the audience care, or is it just a “business?”

 


Comments

6 responses to “Music Production Story Time”

  1. Roza Akmalova Avatar
    Roza Akmalova

    To answer your first question, If someone created a masterpiece out of packages (I’ve seen one already) I would still appreciate it. It is like music created by 2 teams: the one that made the package and the one which used it.
    I would evaluate it using the following criteria:
    – composition
    – performance
    – arrangement
    It takes a perfectionist with deep understanding of musical aspects and with access to good musicians to make all 3 perfect.
    However, If ONE of those 3 is so great that the other’s don’t matter to you any more – then it’s still a masterpiece. To me, composition matters the most, so if it was composed in a way that puts music to a new unprecedented level I won’t care whether it was performed by a program, or WHATEVER else
    http://www.youtube.com/watch?v=dUr5_vl48uw

    To your second question, It is worth learning it the hard way. It gives you loads of knowledge (read: power) in all 3 aspects. For example, if you are a bass guitar expert you’re very likely to use it’s full potential. And you still have the option to expand it even further by additional tools (even if it’s software).

    To your last question, some folks in the audience will care and some won’t. We shoudn’t expect everybody to be discriminating in music, just like we don’t expect them to be discriminating in poetry or painting. (I don’t give a damn about poetry, for example).
    Talking about “business”, a true musical masterpiece is more likely to be created because someone WANTS to create it and not because they want money. They can switch between separate projects – some projects for money, and the other for their own satisfaction.
    Junk music is like junk food, it allows you to see the true magnificence of better music

    Have you seen this funny pic already?
    http://www.ninjapants.org/files/13%20in%20a%20Dozen.jpg

    1. randyhoexter Avatar
      randyhoexter

      That picture is funny… and not far from the truth!

      My issue is people with absolutely NO understanding of music using the pre-packaged elements without even caring about learning or understanding what is inside those elements. Furthermore, they often are extraordinarily pleased with themselves. To me the result is mindless.

      I also don’t care a lot about poetry, but the difference is that I don’t attempt to create poetry or assemble it out of lines I don’t even understand, and then call myself a great poet. It’s artistically and intellectually dishonest.

      Again, your insights are very interesting and thought-provoking. Thanks!

      1. Roza Akmalova Avatar
        Roza Akmalova

        They are so pleased with themselves because “the stupid are cocksure and the intelligent are full of doubt”.
        There are so many of them for 3 reasons:
        1. It actually can be profitable
        2. You don’t have to be good at it to enjoy the process
        3. I posted the third reason right here under Cipolla’s law #1 (talking about trolls there, but 100% applicable to non-competent composers): http://www.tlkvo.com/2012/02/social-networking-and-its-impact-on-you/#comment-2387

        1. Roza Akmalova Avatar
          Roza Akmalova

          The last reason means being “musically stupid”.
          Coming back to the “junk food” analogy, they are like those who make cheap junk hot dogs or burgers and sell them in huge quantities. Simply because most people don’t want healthy organic food or gourmet quality steaks. Most people go for cheesy burgers. If you sell burgers in extraordinary quantities then why not call yourself a king of food industry?

          1. 3 years later…
            Why not…, but it still is garbage food.

      2. Roza Akmalova Avatar
        Roza Akmalova

        Thanks for the feedback!
        Great composers should be happy, they have more listeners than great poets 😉

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